But it's not easy to guess what is "translate not quite right" without examples. Your question sounds like you need something "different" to overcome inevitable bias of single monitoring pair. Maybe you should ask at GS with more details or even examples what is going wrong with single pair of O310s. But if you have the space and can use these in a midfield orientation, I'm sure the C208 won't disappoint either. I suspect something like the M126Be will give you slightly more top-end refinement in a more compact form. Some additional EQ in the modal region is of course always necessary and that's no different with this one. Based on the anechoic measurements I've installed one PEQ filter to tame a slight peak (5,7kHz, -1,3dB, Q=2), but other than that there's really nothing to correct which is pretty neat for a passive loudspeaker. Since I use the C208 as a center channel it's arguably the speaker I've listened to both the most in total, and longest in one sitting. Like its siblings the C208 has, as far as I can tell, no issues in this regard. In terms of listening fatigue, all of this stuff more often than not shows up in the anechoic measurements. I've used anything from a DIY amp with Anaview modules (it's what the previous gen Amphion amps used as well) and even an older NAD 2200 (tested here: ). The Ultima2 series are more difficult to drive I've been told. I can't speak for the Be series although I suspect it's in the same ballpark. Any decent modern power amplifier should do the trick. Please note we cannot ship ATC speakers outside of the UK.The Performa3s are the only series I'm personally familiar with (as in own) and they aren't very difficult to drive. Please observe panel markings and labels! Limiter: ATC Active FET Momentary Gain Reduction, limiter 'active' indicated via front panel LED.Amplifier type: Grounded Source MOSFET based Class A/B, convection cooled.Crossover Filters: 4th Order Linkwitz-Riley at 380Hz and 3.5kHz.Bass Boost Control: Continuously variable from 0dB to +3dB.Input Sensitivity Control: Continuously Variable from 2.2dBu ‚Äì 8.2dBu / 1Vrms - 2Vrms (-6dB).Input Sensitivity: 2.2dBu / 1Vrms for full power.Balanced Input: 1 x Rear Panel Mounted Female XLR, pin 2 hot.A front-panel-mounted bi-colour LED indicates that the power and limiter are functioning. To reduce amplifier' hard-clipping,' FET peak limiters are added. Crossovers are 4th order Linkwitz-Riley with all-pass filters to improve tone accuracy, imaging, and on and off-axis frequency response. The user may adjust input sensitivity and bass' boost'. The audio input is a 3-pin female XLR on the back panel, and the power is an IEC mains power inlet. Each driving unit is equipped with its power amplifier. The enclosure is a ported/vented design tuned to 32Hz and has a 3"/75mm diameter port with flared entrance and exit to reduce port air noise.Ī 3-way class A/B amp pack installed in the back of the cabinet actively drives the SCM25A Pro Mk2. This HF driver upgrade is the crucial difference between the Mk1 and Mk2 models. In addition, ATC's SH25-76S Dual-Suspension 1"/25mm soft dome tweeter handles high frequencies exceeding 3.5kHz. A 6.5"/164mm bass speaker handles low frequencies below 380Hz, while an ATC 3"/75mm soft dome mid-driver handles middle frequencies between 380Hz and 3.5kHz. The ATC SCM25A Pro MkII has ATC-designed and produced proprietary drive units. The ATC SCM25A Pro MkII is a compact 3-way active ported studio reference monitor with a 6.5"/164mm bass driver loaded in a 25-litre vented cabinet and an integrated 235W amplifier, well suited for smaller to medium studios.
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